I’m here for the subtle, lush, and imaginative experience of the body.

Movement & Method

I work with the body as a vessel for perception, expression, and transformation.

My background is rooted in rigorous dance training, performance, and choreography. Over time, that foundation has refined into a practice centered on presence, sensation, and relational awareness.

This work moves between performance, direction, and facilitation, bridging physical craft with intuitive and imaginal intelligence.

I care about form and gesture, but never in isolation.

Form is in dialogue with inhabitance, shaped by the internal processing sophistication that enables connection, exactitude, and aliveness.

Gesture becomes meaningful when it is lived.
Form becomes precise when it is felt.

I work with sensation as a guide, improvisation as a form of intelligence, and the imaginal as an active force in the room.

This is a specific movement language developed through personal experience, choreographic inquiry, and energy work. It requires training, but it is also accessible in its entry point.

The simplicity of the work allows access for both seasoned and unseasoned movers. The ground of the practice is based in gesture, subtlety, and presence rather than athletic display or technical feats.

What is being trained is attention.

The rigor lies in the capacity to sustain awareness, to work with depth of feeling, play, power, wonderment, and imagination without defaulting to spectacle or effort as proof of value.

The practice is a performance of listening and consciousness. Over time, that consciousness becomes palpable. We are not only moving, we are cultivating the ability to inhabit a space with awareness, allowing emergent information to arise alongside aesthetic and thematic intention.

I guide through poetic language, direct perception, and experiential cues, working with what is visible and what is sensed but not yet articulated.

There is structure here, but it adapts.
There is depth, but it is not forced.

Choreography & Direction

I approach choreography as a process of attunement, perception, and unfolding.

Rather than imposing movement, I work with performers to access a deeper range of internal and relational information. Form, timing, and expression emerge from that contact.

My direction draws from improvisation, imaginal prompts, precise observation, and emotional and energetic awareness.

There is a merging here between direction and deep fluency in body intelligence. Performers are not only executing material, but participating in a shared field of awareness that shapes the work in real time.

The process often develops through dialogue between what is happening in the room and what is being evoked beneath or beyond it.

This creates performances that feel alive, specific, and difficult to replicate, because they are generated through presence rather than fixed choreography alone.

I work across film, stage, and interdisciplinary contexts with artists, musicians, and creators in both formal and experimental environments.

As a performer, my work has evolved from technical range into a more distilled, sensation-driven practice.

I continue to value form, rhythm, and structure, but I no longer rely on scale or extension as primary indicators of virtuosity.

My process began through a devotion to simple actions, where the smallest details of presence became the most virtuosic aspect of the work. This emerged in part through the limitations of my body, and in part through a deep interest in virtuosity beyond tricks or empty athleticism.

I am interested in the intelligence of the joints, the articulation of gesture, the atmosphere of the body, and the transmission of internal states.

My movement is often described as intimate, surreal, and emotionally precise, where subtle shifts carry narrative weight and energetic tone.

I work across film, site-specific, and alternative performance environments.

Method & Classes

My teaching and facilitation are centered on refining the body’s capacity to perceive, feel, and respond.

This is not about learning steps. It is about developing a more sophisticated relationship to internal and external experience.

Witch Body is an ongoing movement practice that integrates sensation-based cues, poetic and imaginal language, improvisation, group attunement, and real-time responsiveness.

Participants are guided through experiences that engage both the physical body and the imaginal landscape, allowing movement to emerge from layered sources of information.

We are training attention, perception, and relational sensitivity.

We might move.
We might be still.
We might follow an image, a sensation, a memory, or a relational impulse.

The work can feel grounding, disorienting, connective, playful, and deeply revealing.

There is rigor and looseness here.
Precision and strangeness.
Seriousness and humor.

I am interested in movement beyond objectification.

I work with the body as a site of intelligence, history, and possibility, not as something to be shaped for external consumption alone.

My work centers inhabitance over performance, relationship over control, and depth over display.

My lived experience with hypermobility and physical complexity informs a practice that values sustainability, responsiveness, and non-extractive creation.

I welcome what is often excluded from formal spaces, including grief, eros, contradiction, imagination, and the unknown.

For me, performance can function as ceremony.
Creation can recalibrate relational patterns.
The body can become a site of both precision and transformation.

Context

My work spans concert dance, choreography and movement direction, film and visual media, improvisational and partnering practices, and experimental performance spaces.

I have collaborated across disciplines and continue to develop work that exists between performance, ritual, and lived experience.

Earthly. Poetic. Intimate.

This is a practice of ongoing refinement, delight, and discovery.

Breathing life into form and gesture.
Wielding perception and response.
Bringing artistry to how we inhabit the body and relate within and beyond it.

The work creates space for stories to move beyond linearity understanding and bringing a higher resolution to the narrative of consciousness and progression.

It is lived, sensed, and continually becoming.